1996, Leonberg — just outside Stuttgart.

That's where it all started, and creative work has basically always been my thing.

First it was piano. Years of classical training, the whole disciplined-kid routine, long before I even knew there was a name for "creative process."

At some point I traded sheet music for a mouse, stumbled into Photoshop and my first music production software, and that was pretty much game over — I was hooked.

After school, the plan was simple: study design. Unfortunatly it didn't happen — but the detour paid off.

I trained as an industrial clerk, then moved into production planning: business skills, project delivery, deadlines without the meltdown.
Not glamorous, but useful.

But the creative itch never left. I never really stopped tinkering with design software just because I liked it.

Eventually I stopped fighting it and went back to school — a second apprenticeship, this time as a graphic designer — to actually go all in on the creative path.

someone who gets both worlds. I know how to keep a project on track and on budget, and I've got a genuine, lifelong obsession with making things look and sound good. Now I'm bringing both into the creative industry.